When I was contacted by one of the members of Super Massive
Black Holes to do a review I was not entirely sure what to expect. The name
made me think of Muse, who are a pretty good band, but in no way, shape, or
form would help prepare you for the music you’re about to hear. Rather Super
Massive Black Holes live up to their name, as they seem to consume something
from almost every subgenre of metal and beyond and mold it into something wonderful.
The album begins with a blaze of fury, that gives any tech
death band a run for its money, and then we get an infusion of some bluesy
stuff. It starts to feel like a blues band that’s really getting in touch with their
darker side; especially on the second half of the album. The bass guitar on
this album really shines because of this and its gets quite a few moments in
the spotlight which is nice. The production isn’t super high quality on this
album, but that in some way helps make the bass more perceptible overall because
its presence and lack thereof is quite noticeable.
All four tracks are unique, but they all have similarities in
their organization, In that each song tends to test your aural limits by
blasting you with abrasive sounds, then calming things down with slower bluesy
guitar work and then tossing you back into the fray. Its chaos reminds me a lot of the goals of
chaotic hardcore bands like The Chariot and Exotic Animal Petting Zoo, although
just a smidge less abrasive.
The second two tracks are instrumental, which I’m still on
the fence about. They are in no way bad tracks in terms of writing; I just miss
the vocalist after the first two tracks. His voice reminds me a lot of Obscura,
with really nice lower growls. However, the instrumental tracks, like every
track on here have excellent writing, so it’s not a huge problem at all. I just
wonder how things might be if they did have vocals everywhere.
I think that Super Massive Black Holes have definitely found
something special here. The influence of Blues and Jazz is definitely great,
and adds a lot of personality to the band. I would like to see them be able to
record on higher end equipment and gain a boost in production terms, but the
writing really carries this album very far. Also with all the influences they
have I was a little surprised they songs weren’t all ten minutes apiece. Not that
they feel short, I was just a bit amazed that they packed all this stuff into
an album that’s under 20 minutes long. It would be interesting to see how they
would handle a full length. Here’s to hoping they get the chance to!
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