The Acacia Strain are back. I have been itching for this album
for a while, and now that it is here I can say with assurance that this album
is about as close to everything I wanted it to be as it could be. It is a
continuation of their already well-established sound with improvements across
the board.
Now I should get out first that Wormwood is my favorite album by these guys. It is the epitome of
their sound for me, which is by their own definition ‘pure hate’. Now it is
pretty well known that these guys do not take themselves too seriously, which
is made clear from their comical attitude in interviews and other videos, and
also pretty clear from Vincent Bennett’s over the top angry lyrics. You might
say that their goal is to be the embodiment of the stereotype of metal, which
is loud and angry, both of which they do very well. Now do not confuse not
taking themselves seriously with not being good musicians. The thing that makes
The Acacia Strain differ from the flood of generic breakdown focused bands is
their writing ability, and while there are breakdowns a plenty in The Acacia
Strain’s music, it is blended with an overall sense of melody, and combined
with a fantastically established atmosphere you almost don’t care that a good
portion of the album, as with their previous material, is Djenty chugs.
As for Death Is The
Only Mortal, the album feels like a natural progression from Wormwood. It fits nicely on a playlist
with the rest of their music, but the band has upped the ante on everything.
The first thing you might notice is that the production is top notch. This is
the first album the band has self-produced, with Daniel ‘D.L.’ Laskiewicz
taking over the production duties. Previously the band had worked with Adam D.
from Killswitch Engage, and legendary producer Zeuss, but if this album is any
indication, D.L. should considerer producing more albums.
The next thing you may notice, and this ties into D.L.
taking over the production, is that the guitars are Djentier, and have a pretty
heavy influence from Meshuggah. You can say that Meshuggah has influenced
pretty much every band today, but just listen to this album and you’ll see what
I mean. The end of ‘Our Lady Of Perpetual Sorrow’, ‘Victims Of The Cave’, ‘Time
and Death and God’ or the end of ‘House Of Abandon’ are perfect examples of the
Meshuggah influence. Going along with this, the guitar work overall has
improved a bit, the writing is similar to Wormwood,
but they have thrown in a few guitar solo’s such as the one of ‘Brain Death’
and there are just more interesting things going on with the lead guitar in
general, like the background work on ‘Go To Sleep’ or the chorus work on ‘Brain
Death’.
Another thing that will please fans is that Vincent is as
badass as ever. He is still easily one of the best vocalists in metal today,
and his over the top angry lyrics are still as clever as ever, yet this time
around he seems to have become even angrier. There is always a few lyrics their
albums that really stand out for me: “Her entire head was sitting in my freezer,
they thought I wanted to eat it. I don’t know why I just wanted to Keep it.’, ‘I
don't fear death because I refuse to believe in life.’, or ‘Don’t bury me
unless your sure that I am dead.’ Overly dark and over the top lyrics like this
are part of what makes The Acacia Strain great to me.
If you have enjoyed any other The Acacia Strain album you will
more than likely enjoy Death Is The Only
Mortal. If you are a Wormwood fan
like me, this album should rank very highly with you. The Acacia Strain continue
to improve upon their well-established formula and have crafted something
thoroughly enjoyable.
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